{"id":371,"date":"2021-04-01T03:50:00","date_gmt":"2021-04-01T03:50:00","guid":{"rendered":"http:\/\/aiir.cc\/?p=371"},"modified":"2022-12-12T03:54:08","modified_gmt":"2022-12-12T03:54:08","slug":"the-impurity-of-the-body","status":"publish","type":"post","link":"https:\/\/aiir.studio\/index.php\/2021\/04\/01\/the-impurity-of-the-body\/","title":{"rendered":"NFT-\u5047\u74f7\u5668\u7cfb\u5217"},"content":{"rendered":"\n<p>The Imitation stone (\u5047\u74f7\u5668\u7cfb\u5217) is a new &#8220;fake chinese antique&#8221; digital series about the irony of contemporary optical theatre. Inspired by &#8220;Scripture on the Secret Essential Methods of Chan&#8221;, it depicted the Buddha throwing his body to the ground without speaking, like a great mountain collapsing, and the first contemplation called &#8220;The Impurity of the Body&#8221;. &#8220;May it be so, World-honored One, for I earnestly desire to hear. &#8220;Beyond the form and sound. Digital &#8220;Print&#8221;:2500*3300-14seconds-looping.<br>Houdini Support:Connie HXN Graphic: Hanyun Gu\/Music:Qiufan Qu\/Animation Technical support: Lisen Ye<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"http:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/2021-06-08-10-09-47.mp4\"><\/video><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"767\" height=\"1024\" src=\"http:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/11-767x1024.jpg\" alt=\"\" class=\"wp-image-375\" srcset=\"https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/11-767x1024.jpg 767w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/11-225x300.jpg 225w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/11-768x1026.jpg 768w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/11-1150x1536.jpg 1150w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/11.jpg 1233w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"772\" height=\"1024\" src=\"http:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/22-772x1024.jpg\" alt=\"\" class=\"wp-image-374\" srcset=\"https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/22-772x1024.jpg 772w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/22-226x300.jpg 226w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/22-768x1018.jpg 768w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/22-1159x1536.jpg 1159w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/22.jpg 1243w\" sizes=\"(max-width: 772px) 100vw, 772px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"778\" height=\"1024\" src=\"http:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/QQ\u622a\u56fe20210608104030-778x1024.jpg\" alt=\"\" class=\"wp-image-377\" srcset=\"https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/QQ\u622a\u56fe20210608104030-778x1024.jpg 778w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/QQ\u622a\u56fe20210608104030-228x300.jpg 228w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/QQ\u622a\u56fe20210608104030-768x1011.jpg 768w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/QQ\u622a\u56fe20210608104030-1167x1536.jpg 1167w, https:\/\/aiir.studio\/wp-content\/uploads\/2021\/06\/QQ\u622a\u56fe20210608104030.jpg 1251w\" sizes=\"(max-width: 778px) 100vw, 778px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Imitation stone (\u5047\u74f7\u5668\u7cfb\u5217) is a new &#8220;fake chinese antique&#8221; digital series about the irony of contemporary optical theatre. Inspired<\/p>\n<p><a href=\"https:\/\/aiir.studio\/index.php\/2021\/04\/01\/the-impurity-of-the-body\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">NFT-\u5047\u74f7\u5668\u7cfb\u5217<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":377,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/posts\/371"}],"collection":[{"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/comments?post=371"}],"version-history":[{"count":3,"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/posts\/371\/revisions"}],"predecessor-version":[{"id":717,"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/posts\/371\/revisions\/717"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/media\/377"}],"wp:attachment":[{"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/media?parent=371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/categories?post=371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aiir.studio\/index.php\/wp-json\/wp\/v2\/tags?post=371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}